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Visual Storytelling with Color and Light

為了解決First color movie的問題，作者Humphries, Michael 這樣論述：

Though digital technology will continue to advance the way art is created, traditional mediums and techniques will remain fundamental to creating art. This holds true for gouache, (opaque watercolor}, acrylic, and many other mediums. Traditional mediums have had a hand in the creation of some of the

most stunning backgrounds in animation, and a favorite of top illustrators for decades. Michael Humphries' Visual Storytelling provides step-by-step techniques that will help readers better understand color theory, composition and lighting, both traditionally and digitally. Visual Storytelling illu

strates and analyzes numerous Disney visual development and animation background paintings that provide the reader a greater insight as to how these paintings were created, and how they were instrumental in the creation of the worlds most successful and beautiful animated movies. Through analysis an

d demonstrations, Visual Storytelling features the Disney studios traditional approach and Photoshop techniques that will give readers a well-rounded view of today's digital and traditional practices. Key FeaturesTeaches and demonstrates the critical components in creating stunning visual developmen

t and concept artwork, and art direction for entertainment.Provides art students and professionals that mainly work with computer animation, techniques that will enhance their artwork and portfolio.Offers demos in gouache and acrylic, as well as Photoshop sessions, giving the readers a better sense

of how to create and prepare their artwork for the animation, film and entertainment industry.Contains beautiful, yet practical imagery that gives the reader not only technical guidance, butvaluable information to the animation industry as well as artistic inspiration. Michael Humphries has had a

distinguished career in illustration and animation as a background artist, visual development artist, and art director for many of Disney Feature Animation Studios films including: Who Framed Roger Rabbit, The Great Mouse Detective, The Rescuers Down Under, Brother Bear, Home on the Range, The Lion

King, The Hunchback of Notre Dame, Fantasia / 2000, and The Princess and the Frog. Michael was also nominated for an Annie Award as the Production Designer on Sony Pictures Animations first feature length animated movie Open Season.He resides in Pasadena California where he teaches entertainment ar

t at ArtCenter College of Design.Please visit his website at: www.michaelhumphries.net

First color movie進入發燒排行的影片

皮克斯動畫《腦筋急轉彎》再現的情緒智力

為了解決First color movie的問題，作者柯瑞卿 這樣論述：

　　皮克斯動畫《腦筋急轉彎》（英語：Inside Out）是一部以情緒為題材的3D電腦動畫電影，由彼得．達克特及羅尼．德爾卡門共同執導，它提出現在許多人對於「正向思考」的迷思，過度要求樂觀、快樂，不見得對一個人有幫助，反而會造成負面影響。該片不僅全球票房表現亮眼，亦榮獲不少的國際榮譽及獎項，可謂叫好又叫座，能如此廣泛地吸引各年齡層的觀眾，必有其背後的原因與文化意涵。《腦筋急轉彎》對情緒的刻畫帶領著觀眾一同認識情緒，拋開對負面情緒的偏見，了解任何情緒都有其優缺點，進而面對挫折困難中，慢慢學會調適情緒，並妥善運用，這深深吸引了筆者的注意。　　本論文以皮克斯動畫《腦筋急轉彎》作為研究文本，以符號學

、詮釋學及鏡頭分析論點切入，首先，分析皮克斯動畫工作室如何運用符號化表徵於動畫《腦筋急轉彎》再現抽象的情緒、記憶及個性，並探討其功用。再來，分析動畫《腦筋急轉彎》再現哪些情緒智力之理念。

Photosecrets Athens: Where to Take Pictures

為了解決First color movie的問題，作者Hudson, Andrew 這樣論述：

Every traveler wants a great photo. But where do you go for that perfect shot? PhotoSecrets shows you where to find the best photo locations and how to take great pictures. Save time on research enhance your experience, and make your pictures look professional. Color photos show you all the great vi

ews -- flick through and pick your favorites. See where to stand, which direction to point, and where to shoot. Read what the sight is, why it is interesting, when to get the best light, and how to take better photos. Discover secret sights, get inspiring ideas and capture your picture-perfect memor

ies. Andrew Hudson is a professional travel photographer with over 20 nationally-distributed color photography books. On a round-the-world trip, Andrew wanted to find the exotic beach used in the James Bond movie The Man with the Golden Gun. No travel guide showed its location so he imagined a boo

k series for photographers. His first book won the Benjamin Franklin Award for Best First Book and his second won the Grand Prize in the National Self-Published Book Awards. Andrew has photographed assignments for Macy’s, Martha Stewart, Men’s Health and Seventeen, and been a location scout for Niko

n. His photos and articles have appeared in National Geographic Traveler, Shutterbug Outdoor and Nature Photography, Alaska Airlines and Woman’s World. Born in England, Andrew lives in San Diego, California with his wife, two kids, and two chocolate Labs.

《光。盲》反思科技媒體偏誤之科技藝術創作

為了解決First color movie的問題，作者張瑜真 這樣論述：

隨著科技進步，科技媒體成為現代人接收訊息的主要媒介，傳遞訊息方式及生態和過往大不相同。許多媒體為了自身利益而無法保持中立，傳達偏頗立場的訊息給觀眾，使得媒體亂象越發嚴重。越來越多不實訊息滲透於人們的生活當中，媒體素養成為現代公民必備之能力。本創作為作者對自身接收媒體訊息時，內心產生的心境轉化以及觀察社會中媒體對觀眾造成的影響所創作的作品，在接收訊息的過程時常會產生相信、懷疑、動搖以及破滅等等的過程，作品透過影像變化呈現接收訊息時的認知變化歷程。在本創作中，作者使用Touchdesigner呈現上述可能會產生的認知過程，並透過對光的假設，將抽象過程視覺化，讓觀眾能夠對接收訊息時的抽象過程一目瞭

然，也能體驗影像讓觀眾產生的錯覺，進而使觀眾反思平時接收媒體訊息的過程。作者希望透過此作品能夠讓觀眾發現生活周遭的訊息無所不在，對訊息能夠保有求真求證的態度，選擇正確的訊息，做個聰明的閱聽人，也能促使媒體生態往好的方向發展。