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2000 Ad Regened Volume 4, 4

為了解決The first movie in t的問題，作者Ramzee,Johnson, Liam 這樣論述：

RAMZEE is what happens to a kid who grows up on a diet of 90’s Image and 2000’s Toonami. Since being nominated for a British Comic Award for his debut indie comic in 2016, he’s gone on to draw illustrations for the BBC & MerkyBooks and write Cat Girl for Rebellion’s ’Tammy & Jinty’, ’FAB’ for StoryW

orlds and write & draw his first graphic novel ’LDN’ for Good Comics. Korinna is a half Greek/half Singaporean/half Goblin comic artist who is excellent at maths. She’s been self-publishing comics since 2015, including the hilarious webcomic Adventure of Croblin, and had lots of fun working on femal

e-led anthologies Smutcomic and Comic Book Slumber Party. She enjoys walking around to find ugly architecture, catching frogs, and beer Liam Johnson is a comics writer and winner of 2000 AD’s 2019 Talent Search, whose credits include Future Shocks and Venus Bluegenes (for 2000 AD) and Missing Person

s (for Markosia). He also writes for television, including a number of credits for ITV’s Emmerdale. Duane Redhead is a comic artist, whose previous credits with 2000AD include Terror Tales, Past Imperfect and Durham Red. Duane has also worked on the Games Workshop Codex for The Black Library, and co

ntinues to draw The Tick for New England Comics where he started his first title in 2012. Gordon Rennie is one of 2000 AD’s most prolific creators, with co-creative credits for Caballistics, Inc., Missionary Man, Necronauts, Storming Heaven, Rain Dogs and Witchworld. Rennie has written for Heavy Met

al and Warhammer, as well as Species, Starship Troopers and White Trash. Emma Beeby had established herself as a professional writer in the film and games industries before moving into the comics arena. The first woman to write Judge Dredd, she has also worked on several other strips for 2000 AD, in

cluding Judge Anderson, The Alienist and Survival Geeks (co-creating the latter two strips with frequent writing partner Gordon Rennie). Outside of the Galaxy’s Greatest Comic, she co-created (again with Rennie) the award-winning graphic novel Robbie Burns: Witch Hunter, and has co-written a Doctor

Who series for Titan Comics. Neil Googe has been lending his talent to 2000 AD for over twenty years, illustrating strips such as Judge Dredd, Pulp Sci-Fi and Hondo City Justice for the Judge Dredd Megazine. Beyond his work with 2000 AD he has also worked on WildCats and The Flash for DC Comics. Kar

l Stock has written Tharg’s Future Shocks for 2000AD, Dredd prose fiction for the Judge Dredd Megazine and strips including Sniper Elite and Death Wish for Rebellion titles such as Battle, The Vigilant and Cor! & Buster, as well as interviews and features about comics for the Judge Dredd Megazine, T

ripwire, Comic Heroes and more. He is the co-author of the 40th anniversary edition of Thrill-Power Overload, 2000AD’s official history, and lives in Scotland. Steve Roberts is a comic artist and Lead Creative and writer for children’s TV. He has drawn comics for 2000ad including Banzai Battalion, J

udge Dredd, Sinister Dexter and Bec and Kawl. Outside comics Steve has worked as a Lead Creative and writer for Ragdoll Productions Ltd. He worked on several shows that were broadcast on the BBC channel CBeebies. These included Dipdap which he co-created and which went on to win a Childrens BAFTA aw

ard in 2011. He also worked on The Adventures of Abney and Teal and Twirlywoos and recently co created B.O.T. and the Beasties. Ben Willsher got his break in comics in the ground-breaking Deadline magazine (home of Tank Girl), before being stolen by the world of computer games, where he has worked a

s an Art Director for many years. However, the lure of Comics was too strong and he came back to 2000 AD and has drawn Future Shocks, Pulp Sci-Fi, Tharg’s Terror Tales, Sinister Dexter, Damnation Station, but he is probably best known for his work on Judge Dredd. As well as reviving the uber cool gr

ifter Lenny Zero, with original creator Andy Diggle, Willsher has just concluded a movie Dreddverse strip titled Dust. Beyond his accomplishments in the world of comics he has also worked in film, television and the music industry, and is heavily involved in the World of Doctor Who, where he has ill

ustrated work for the Time Lord luminaries such as Russell T Davies, Mark Gatiss, and comic giant Neil Gaiman. David Baillie is a Scottish writer and artist who works in comics, film and television. As well as various strips for 2000 AD and the Megazine, he also created and wrote the series Red Thor

n for Vertigo/DC. He lives in London with his darling wife, mischievous daughter and a multitude of unforgiving deadlines. Since joining 2000 AD in 1986 Colin MacNeil has worked on many strips, including Chopper: Song of the Surfer and the infamous death of Johnny Alpha in Strontium Dog: The Final S

olution. He went on to collaborate with John Wagner on the award-winning America for the Judge Dredd Megazine. He has also worked on Shimura, Maelstrom and Fiends of the Eastern Front: Stalingrad, and, outside of the Galaxy’s Greatest Comic, provided the atmospheric artwork on Bloodquest for Games W

orkshop. He also enjoys creating large abstract paintings. He says it’s art therapy! Author and comic book writer Cavan Scott is a UK number one bestseller who has written for such popular worlds as Star Wars, Doctor Who, Star Trek, Vikings, Warhammer 40,000 and Sherlock Holmes. He is the author of

Star Wars Dooku: Jedi Lost, Judge Dredd: Alternative Facts, The Patchwork Devil, and Cry of the Innocents, and is part of Lucasfilm’s Project Luminous publishing initiative. He has written comics for IDW, Dark Horse, Vertigo, Titan, Legendary, 2000AD, and the Beano. Luke Horsman is an illustrator an

d comic book artist and has been working in the design and illustration industry for nearly 20 years across a variety of media platforms for 100s of clients, including printed publications, websites and games. Now solely a comic book artist he has done scores of work for multiple clients, independen

t publishers and authors. He’s also currently working on a creator owned project ＂Oathbound＂, an illustrated saga of Norse tales. James Peaty has written for publishers including Marvel Comics, DC Comics and Dark Horse Comics in the US as well as Rebellion Publishing and Titan Comics in the UK. Duri

ng that time he has written for titles including The Batman Strikes!, X-Men Unlimited, Green Arrow. Supergirl, Justice League Unlimited and Doctor Who. For 2000AD he wrote and co-created Skip Tracer (with artist Paul Marshall), while for The Judge Dredd Megazine he wrote and co-created Diamond Dogs

(with artist Warren Pleece). Colin Harvey is a London-based writer working across comics, games, books, audio and Virtual Reality. His work includes the video games Blood and Truth (Sony 2019) and Sniper Elite 4 (Rebellion 2017), as well as tie-in material for Big Finish’s Doctor Who and Highlander

ranges. He’s the author of ’Dead Kelly’, a novella for Abaddon Books’ Afterblight series, and comic stories for 2000AD and Commando. His book Fantastic Transmedia, an analysis of large and small-scale crossmedia storytelling in science fiction and fantasy franchises, was published by Palgrave in 201

5. Tom Newell, 34, is an illustrator, designer and comic artist from the West Midlands, UK. His many influences include Simon Bisley, John Buscema and Sean Gordon Murphy. In 2016 Tom decided to take learning to draw seriously and joined a university comic art course, with the single goal in mind of

one day to be a successful comic artist. For the last year Tom has worked closely with UK based comic artist John Charles, on his creator owned project, Technofreak.

The first movie in t進入發燒排行的影片

The State of Indonesian Horror Cinema Throughout the Decade, from Early 2000s to Early 2010s

為了解決The first movie in t的問題，作者張偉傑 這樣論述：

Horror films in Indonesia were considered bad b-grade horror films by the Indonesian community itself. The reason was because of the female exploitation in Indonesian horror films. In recent years, Indonesian horror films have seen a change in quality which focusses more on the u

rban legend horror and strays away from exploiting women. The aims of this research were to study the opinions of Indonesian youth general audience and film critic on the subject as well as the differences between them. Data were collected using in-depth focus group i

nterview on both group of participants. The data analysis was done using open, axial, and selective coding process. Results show that both audiences and expert recognize an improvement in Indonesian horror cinema because of a select few outstanding films, but emphasize that there are stil

l a lot of Indonesian horror films that aren’t the same quality as those select few.

Judge Dredd: Blaze of Glory

為了解決The first movie in t的問題，作者Ewing, Al 這樣論述：

Al EwingAl Ewing has been a Judge Dredd aficionado since the age of nine, and is best known in the UK for his work on Dredd in 2000 AD, where he also co-created Zombo and Damnation Station. In addition, Ewing has written various novels for Solaris and Abaddon Books, including The Fictional Man, Pax

Omega and Gods of Manhattan, and is currently writing Mighty Avengers and Loki: Agent of Asgard for Marvel Comics.Simon FraserSimon Fraser is best known to 2000 AD fans as the co-creator of Russian rogue Nikolai Dante, whose adventures have been a staple of the comic since his debut in 1997. Fraser

is also the co-creator of Family in the Judge Dredd Megazine, and has drawn Judge Dredd and Shimura. His best-known non-2000 AD work is Lux & Alby: Sign On and Save the Universe, a collaboration with Scottish post-punk author Martin Millar. He is currently working on an adaptation of Richard Matheso

n’s Hell House and is also writing and drawing Lilly Mackenzie and the Mines of Charybdis.Paul MarshallPaul Marshall co-created The Corps and Firekind, and has also pencilled Judge Dredd, Mean Machine, One-Offs, Sinister Dexter, Tharg’s Future Shocks, Tyranny Rex and Vector 13. His other work can b

e seen in Harris Comics’ Avalon.PJ HoldenPaul J. Holden has illustrated The 86ers, Judge Dredd, Tharg’s Future Shocks, Rogue Trooper and Johnny Woo for 2000 AD and the Judge Dredd Megazine. P.J. lives and works in Belfast, and is married with two children.Andrew Currie Andrew Currie made his 2000 AD

debut with Judge Dredd, following success in America with series like Ninjak and Seeker 3000. He has also worked on Sinister Dexter, The Inspectre and Bato Loco.Patrick Goddard Patrick Goddard’s clean art style has graced many strips in the Galaxy’s Greatest Comic. Co-creator of the Megazine series

Wardog, he has penciled Judge Dredd, Mean Machine, Middenface McNulty, Sinister Dexter and took over the art duties on Savage from Charlie Adlard.John HigginsJohn Higgins is a multi-talented 2000 AD artist and writer; as well as scripting a Future Shock and Judge Dredd, Higgins has illustrated Chop

per, Freaks, One-Offs, Tharg the Mighty and Time Twisters. His work outside the Galaxy’s Greatest Comic is also highly respected, and he has contributed to some of the most important series of recent times, including working as a colourist on the modern superhero classic Watchmen, and on Vertigo’s

Animal Man, Hellblazer and Pride and Joy.Liam McCormack-SharpLiam Sharp is the co-creator of recurring, pint-sized Judge Dredd villain P.J. Maybe. He has also illustrated A.B.C. Warriors, Finn and Tharg’s Future Shocks. Beyond 2000 AD, his work includes Batman, Superman, Wonder Woman, The Possessed

, Death’s Head II, The Incredible Hulk, Magik, Spiderman, Manthing, Spawn: The Dark Ages, Frazetta’s The Death Dealer and X-Men titles. Liam has also worked on the critically acclaimed Vertigo series Testament with best-selling author Douglas Rushkoff. He also set up Mam Tor publishing with his wife

Christina, and produced Sharpenings; The Art of Liam Sharp, and the award-winning anthology Event Horizon.Ben WillsherBen Willsher got his break in comics in the ground-breaking Deadline magazine (home of Tank Girl), before being stolen by the world of computer games, where he has worked as an Art

Director for many years. However, the lure of Comics was too strong and he came back to 2000 AD and has drawn Future Shocks, Pulp Sci-Fi, Tharg’s Terror Tales, Sinister Dexter, Damnation Station, but he is probably best known for his work on Judge Dredd. As well as reviving the uber cool grifter Le

nny Zero, with original creator Andy Diggle, Willsher has just concluded a movie Dreddverse strip titled Dust. Beyond his accomplishments in the world of comics he has also worked in film, television and the music industry, and is heavily involved in the World of Doctor Who, where he has illustrate

d work for the Time Lord luminaries such as Russell T Davies, Mark Gatiss, and comic giant Neil Gaiman.Leigh GallagherLeigh Gallagher was looked upon strangely as he attempted to leap triumphantly in the air when Tharg gave him his first professional comics work in 2000 AD. Since then he has worked

on Vertigo’s The Witching, DC Comics’ Justice League Unlimited, and more recently he was the 2008 artist on Lego’s Bionicle, based on the popular toy line. Now he’s back with 2000 AD on Defoe, reinventing himself using a style inspired by his early love of British comics Scream, Eagle and, of cour

se, 2000 AD. He has finally realised he will never accomplish that triumphant leap, but is still looked upon strangely.Jake LynchJake Lynch is a Norfolk based artist drawing mainly for 2000 AD, Judge Dredd Megazine and film. A self-taught artist he is living proof that they’ll let any idiot in and

as a self-confessed Sci-Fi nerd, he is often the first to be asked to leave.

中國大陸視頻二次創作社群的數位禮物文化

為了解決The first movie in t的問題，作者陳昕妤 這樣論述：

剪刀手社群，是一群熱衷於對原始媒體影音素材進行二次創作、重新闡釋的同人視頻創作者所組成的社群。同人視頻創作者並非是個人化的行動者，同人視頻作品是深度合作和社群廣泛支持下的產物。中國大陸的剪刀手們共享互助，將自己個人勞動所得的媒體素材作為公共資源公開分享在社群平台上，免費供其它創作者使用，也將自己所學技能與知識向其它同儕傾囊相授。本研究以禮物經濟的視角，以同人視頻創作者社群為觀察對象，採用網路民族志與深度訪談法，探究剪刀手們進行禮物交換的特點、動機，分析剪刀手如何在禮物交換中，形塑、維繫、想像、認同自己的社群？如何定義虛擬社群集體對個體而言的意義和價值？以探討這一新興且獨特的數位禮物文化的特殊

之處。從禮物交換的內容來看，剪刀手們所饋贈的禮物與自我的各個方面息息相關，凝結了個人媒體經驗和閱歷，同時，這些「禮物」具有符號意義上的「排他性」，離開剪刀手背景之外往往沒有使用價值。從禮物交換的動機來看，利他主義傾向、擴大社交範圍結識同好、提高在社群內的聲望的地位、對自我身份認同與集體共同利益的追求，推動著剪刀手們持續不斷地收受往來禮物。一方面，這種數位禮物文化將剪刀手社群形塑為一個獨特的非正式「虛擬教室」，剪刀手們在交流中互相學習，互為導師，也互為學生；另一方面，數位禮物文化的長期記憶性，將剪刀手們所交換的資源、訊息長久地儲存在網路上，可供同儕們自由地搜索、領取、使用，並在久而久之的素材分享

、知識共用、訊息積累下，成為一個剪刀手們以集體智慧共同塑造的「知識寶庫」與「聚寶盆」。剪刀手們使用他人製作、分享的素材，將之融入成為自己視頻作品中的一部分，可以定性成一種廣義的合作、協作。剪刀手社群的禮物文化將本作為個體勞動者的剪刀手凝聚成有著共同倫理規範和集體利益的共同體，將本可以依靠個體勞動的同人創作，演變成集眾所長的集體創作方式，在創作中揚長避短、取長補短，群策群力幫助其它創作者改進作品。剪刀手社群集體力量已然融入了每一位個體的創作勞動之中，禮物文化將分散在網路各處的剪刀手們緊緊地凝聚在一起，社群成為剪刀手個體們不可或缺的依靠。