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Hiss Me Deadly

為了解決偵探小說的問題，作者James, Miranda 這樣論述：

Charlie and Diesel must catch a killer before he strikes another deadly note in this latest installment of the New York Times bestselling Cat in the Stacks Mysteries.Charlie Harris remembers Wilfred ＂Wil＂ Threadgill as one of the outsiders during high school in Athena. Although Wil was a couple o

f years ahead of him and his friend Melba Gilley, Melba had a big crush on Wil, who dropped out after his junior year. An aspiring musician, Wil hit the road for California and never looked back. Wil eventually became a star, fronting a band and writing award-winning songs. Coming back to Athena to

work for two weeks with students in the college music department, Wil is now the big man on campus. Not everyone is happy to have him back, however. His entourage have been the target of several acts of petty harassment. At first they are easy for Wil to shrug off, but the incidents escalate and bec

ome more troubling. When one of the band members is killed Charlie worries that Melba, now deeply involved with the man at the center of the attacks, could be in deadly danger. It is up to Charlie and Diesel to find out who hates Wil Threadgill enough to silence his song . . . forever!

偵探小說進入發燒排行的影片

蘇聯公共公寓（1920-1950）的空間與文化現象

為了解決偵探小說的問題，作者孫鶴萍 這樣論述：

蘇聯公共公寓是蘇聯1920-1950官方強制規定的主要居住方式。公共公寓代表著官方的意識表述。而這樣的價值規範也透過空間安排重新塑造蘇聯一代人的行為舉止、社會文化，包含家庭的改變、人際關係的疏離等。本論文將對公共公寓的空間變化，而影響人的思維舉措進行探討。主文分成四大章進行論述。首先探討公共公寓政策起源的歷史背景；再來追溯公共公寓在俄國的演變歷史；接著向讀者介紹蘇聯公共公寓的生活情況，包含居住空間、生活規則以及特色；最後一章則以體現在公共公寓下所呈現的文化特徵作為分析重點。

Back to the Dirt

為了解決偵探小說的問題，作者Bill, Frank 這樣論述：

Frank Bill is back with a gritty, wrenching novel from deep inside the traumas of a broken American heartland. Miles is a Vietnam vet who’s worried he’s going to lose his job and his tenuous grasp on a stable life because of a fight he had with a coworker over some steroids. His PTSD and struggle

s to control his steroid-fueled violent tendencies complicate life with his girlfriend, Shelby, a stripper who only occasionally seems to have the proverbial heart of gold. She certainly seems to possess more kindness and generosity than her brother, Wylie, who’s currently on the run after being imp

licated in the deaths of two local oxycodone dealers and has their relatives on his tail. When Wylie kidnaps his sister and holes up in Miles’s country lair, it is, frankly, threatening to become a bit too much for steroid-addled Miles to handle. Frank Bill’s world is as wild and rollicking as ever,

punctuated with uproarious event after uproarious event. But in Back to the Dirt, he goes deeper than wall-to-wall brawl--with Miles, he takes us back to the experiences overseas that stripped the innocence and optimism from the heartland dream; with Shelby, he shows us that you didn’t have to trav

el to Vietnam to see real darkness. But still, even in this benighted state, there’s the dirt to come back to. And maybe, just maybe, Bill shows, that can be enough.

天地無限《第四名被害者》及其電視劇《誰是被害者》改編研究

為了解決偵探小說的問題，作者劉易安 這樣論述：

　　本論文以作家天地無限的小說作品《第四名被害者》（2015）與其電視劇改編《誰是被害者》（2020）作為研究對象。作家與影視團隊對於台灣社會有著相同的觀察，彼此認同社會上的現象，故筆者認為可將兩個文本放入討論。　　在台灣推理小說的歷史價值意義上，此篇小說有其存在的高度評價，小說的架構完整、故事情節也關切社會議題，富有台灣社會派推理的風格特色。並在故事的推動上，更是以媒體辦案與尋屍敘述的編排為小說的獨特性。　　小說的成功引發廣大迴響，且成為影視改編的好題材，最終改編成共八集的推理電視劇《誰是被害者》。為了影像敘事的市場需求，更加入刑偵、社會議題等元素使內容煥然一新，有別於小說的敘事主題。　　

論文主要從小說的內容及劇情上，以細緻的探討分析，剖析作家所傳達的創作意涵，接著深入探討、分析電視劇的內容與情節。再以小說與電視劇兩個以互文性理論來比較異同，透過人物形象的設定、情節場景的安排、敘事角度以及結局的差異來論析兩個形式不同的文本之內容比較。透過本文的探究，得出小說與電視劇改編的分析成果。