Alfonso Ideas的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列推薦必買和特價產品懶人包

Redentores / Redeemers: Ideas y poder en América Latina / Ideas and Power in Latin America

為了解決Alfonso Ideas的問題，作者Krauze, Enrique 這樣論述：

Las ideas son las protagonistas de este libro, pero no las ideas en abstracto sino las ideas encarnadas en personas con vidas tocadas por la pasi n del poder, la historia y la revoluci n; y tambi n por el amor, la amistad, la familia. Vidas reales, no ideas andantes.Por este libro desfilan profetas

de la redenci n como el heroico Mart , el idealista Rod , el educador Vasconcelos o el indigenista Mari tegui. Los sigue, como figura central, el poeta y ensayista Octavio Paz, cuya vida abarca el siglo entero y cuyas ra ces familiares recogen toda la tradici n revolucionaria moderna. A la manera de

Plutarco y sus Vidas paralelas, el autor dibuja enseguida los perfiles de Eva Per n y el Che Guevara, pone en contrapunto las actitudes pol ticas y morales de los novelistas Gabriel Garc a M rquez y Mario Vargas Llosa, y explica la conexi n hist rica entre el te logo Samuel Ruiz y el guerrillero Su

bcomandante Marcos. Finalmente, conecta a Hugo Ch vez con la tradici n caudillista y el culto carlyleano al h roe.A trav s de estas doce biograf as sutilmente entrelazadas, Enrique Krauze esclarece el dilema central de Am rica Latina, la tensi n entre el ideal de la democracia y la tentaci n, siempr

e presente, del mesianismo pol tico.ENGLISH DESCRIPTIONThe protagonists of this book are ideas, the ideas embodied in people with lives touched by power, history, and revolution; but also by love, friendship, and family. Real lives, not walking ideas. In this book we read about liberation leaders an

d prophets, such as the heroic Mart , the idealist Rod , Vasconcelos from Educator, and the pro-Indian advocate Mariategui. Poet and essayist Octavio Paz is used as a central figure since his life spans the entire century and whose family roots capture the whole modern revolutionary tradition. Just

like Plutarch and his Parallel Lives, the author immediately draws the profiles of Eva Peron and Che Guevara, compares Gabriel Garc a M rquez and Mario Vargas Llosa's political and moral attitudes, and explains the historical connection between theologian Samuel Ruiz and revolutionary Subcomandante

Marcos. Finally, it connects Hugo Ch vez with the caudillo tradition. Through these twelve subtly interwoven biographies, Enrique Krauze sheds a light on the central dilemma in Latin America, the always-present tension between the ideal of democracy and temptation. Enrique Krauze (Ciudad de Méxic

o, 1947). Historiador, ensayista y editor mexicano. Es ingeniero industrial por la Universidad Nacional Autónoma de México y doctor en historia por el Colegio de México, donde ha sido investigador del Centro de Estudios Históricos. Ha sido profesor invitado en el St. Anthony’s College de Oxford y en

The Wilson Center de Washington. Durante más de veinte años colaboró con Octavio Paz en la revista Vuelta, de la que fue secretario de redacción y subdirector. En 1992 fundó la editorial Clío, de la que es director, mismo puesto que ocupa dentro de la revista cultural Letras Libres, que creó en 199

9. En 1990 ingresó en la Academia Mexicana de la Historia. En 2003, el gobierno español lo condecoró con la Gran Cruz de la Orden de Alfonso X, el Sabio. En 2008, el rey de España le concedió la Gran Cruz de la Orden de Isabel la Católica. En 2010, obtuvo en México el Premio Nacional de Historia. De

sde 1985 ha escrito en Dissent Magazine, The New Republic, The Washington Post, The New York Review of Books y The New York Times. Entre sus obras cabe destacar Caudillos culturales en la Revolución mexicana; Por una democracia sin adjetivos; Biografía del poder; Textos heréticos; Siglo de caudillos

, biografía política de México (1810-1910) (Premio Comillas de biografía en 1993); La presidencia imperial; Daniel Cosío Villegas. Una biografía intelectual; Travesía liberal; El poder y el delirio y De héroes y mitos.

Alfonso Ideas進入發燒排行的影片

A Practice-based Research of Sound Design Producing in Videography

為了解決Alfonso Ideas的問題，作者林永宏 這樣論述：

Making a good video needs to consider of many aspects such as story, image composition, lighting, sounds and music. In this study, the researcher demonstrated the process of making background music with an animation of Indonesia urban legend, Malin Kundang, a documentary video of Indonesian Muslim

lives in Taiwan, and commercial film of Ming Chi University of Technology by using the Creative Problem-Solving model which have 3 stages understand the problem, finding the ideas and planning for action. The results of this study provided a background music of the videos that enhance emotional feel

ing sync in with video images, documentation the process of making music and data collection from the audience and the musician experts, both feedbacks have a positive response that the music background was successfully enhanced the emotional feeling between the visual and audio itself and created a

conclusion of music element contained the ethnical element, flow of the music and the instrument choices. As the personal learning experiences from the researcher, a basic of knowledge music theory, understanding the context of the video and exploration of various instrument helps the student who a

re also interested to self-learning digital music.

Friendship in Medieval Iberia: Historical, Legal and Literary Perspectives

A PHP Error was encountered

Severity: Warning

Message: file_put_contents(/var/www/html/prints/public/images/books_new/F01/335/54/F013354869.jpg): failed to open stream: Permission denied

Filename: helpers/global_helper.php

Line Number: 140

Backtrace:

File: /var/www/html/prints/application/helpers/global_helper.php
Line: 140
Function: file_put_contents

File: /var/www/html/prints/application/views/article_v2.php
Line: 248
Function: coverWebp_online

File: /var/www/html/prints/application/controllers/Pages.php
Line: 662
Function: view

File: /var/www/html/prints/public/index.php
Line: 319
Function: require_once

A PHP Error was encountered

Severity: Warning

Message: getimagesize(/var/www/html/prints/public/images/books_new/F01/335/54/F013354869.jpg): failed to open stream: No such file or directory

Filename: helpers/global_helper.php

Line Number: 62

Backtrace:

File: /var/www/html/prints/application/helpers/global_helper.php
Line: 62
Function: getimagesize

File: /var/www/html/prints/application/helpers/global_helper.php
Line: 142
Function: coverWebp

File: /var/www/html/prints/application/views/article_v2.php
Line: 248
Function: coverWebp_online

File: /var/www/html/prints/application/controllers/Pages.php
Line: 662
Function: view

File: /var/www/html/prints/public/index.php
Line: 319
Function: require_once

A PHP Error was encountered

Severity: Notice

Message: Trying to access array offset on value of type bool

Filename: helpers/global_helper.php

Line Number: 64

Backtrace:

File: /var/www/html/prints/application/helpers/global_helper.php
Line: 64
Function: _error_handler

File: /var/www/html/prints/application/helpers/global_helper.php
Line: 142
Function: coverWebp

File: /var/www/html/prints/application/views/article_v2.php
Line: 248
Function: coverWebp_online

File: /var/www/html/prints/application/controllers/Pages.php
Line: 662
Function: view

File: /var/www/html/prints/public/index.php
Line: 319
Function: require_once

A PHP Error was encountered

Severity: Notice

Message: Trying to access array offset on value of type bool

Filename: helpers/global_helper.php

Line Number: 66

Backtrace:

File: /var/www/html/prints/application/helpers/global_helper.php
Line: 66
Function: _error_handler

File: /var/www/html/prints/application/helpers/global_helper.php
Line: 142
Function: coverWebp

File: /var/www/html/prints/application/views/article_v2.php
Line: 248
Function: coverWebp_online

File: /var/www/html/prints/application/controllers/Pages.php
Line: 662
Function: view

File: /var/www/html/prints/public/index.php
Line: 319
Function: require_once

A PHP Error was encountered

Severity: Notice

Message: Trying to access array offset on value of type bool

Filename: helpers/global_helper.php

Line Number: 68

Backtrace:

File: /var/www/html/prints/application/helpers/global_helper.php
Line: 68
Function: _error_handler

File: /var/www/html/prints/application/helpers/global_helper.php
Line: 142
Function: coverWebp

File: /var/www/html/prints/application/views/article_v2.php
Line: 248
Function: coverWebp_online

File: /var/www/html/prints/application/controllers/Pages.php
Line: 662
Function: view

File: /var/www/html/prints/public/index.php
Line: 319
Function: require_once

為了解決Alfonso Ideas的問題，作者Scorpo, Antonella Liuzzo 這樣論述：

Private and public relationships between individuals or groups - frequently labelled as friendships - have played a central role in human societies. Yet, over the centuries ideas and meanings of friendship transformed, adapting to the political and social climate of a period, and consequently resist

ing rigid definitions. Changing concepts and practices of friendship characterized the intellectual, social, political and cultural panorama of medieval Europe, including that of the fascinating and yet understudied thirteenth-century Iberia. The Peninsula's fascinating history, as the subject of co

nquests and Reconquest', land of convivencia, but also of rebellions, political instability, and secular and religious international power-struggles, makes the articulation of friendship within its borders a particularly fraught subject to study. Drawing on some of the encyclopaedic masterpieces

produced in the scriptorium of The Wise' and The Learned' King, Alfonso X of Castile (1252-84) - namely the Marian songs of the Cantigas de Santa Mar -a, the law code of the Siete Partidas and the chronicle Estoria de Espa a - this study explores the political, religious and social networks, i

nter-faith and gender relationships, legal definitions, as well as bonds of tutorship and companionship, which were frequently defined through the vocabulary and rhetoric of friendship. This study also highlights how the values and meanings of amicitia, often associated with classical, Roman, Visigo

thic, Arabic and Eastern traditions, were later transformed to adapt to Alfonso X's cultural projects and political propaganda. This book contributes to the study of the history of emotions and cultural histories of the Middle Ages, while also adding another crucial piece to the broader historiograp

hical debate currently challenging the most traditional view of the Iberian Peninsula's exceptionalism'. This interdisciplinary study considers whether Iberia should be rather considered as a peripheral, but still vital, ring in a chain which linked it to the rest of Europe, while occupying a cen

tral role in the historical and cultural developments of the Western Mediterranean. Antonella Liuzzo Scorpo completed her first degree in European Languages and Cultures at the University of Catania (Italy), before undertaking doctoral research at the University of Exeter. She worked at the Univer

sity of Exeter and as a Lecturer in Medieval History at Queen Mary University of London, before joining the University of Lincoln in 2013. She is interested in the legal, cultural and political history of the medieval Western Mediterranean, and in particular in thirteenth-century Iberia. Her main ar

eas of research include the history of emotions, social implications of inter-faith collaborations and political agreements, as well as the connections between friendship and gender relationships. She has also published on ideas and representations of power in medieval Castile and Leon. She has also

been actively involved in international research projects with other European Institutions.

《台北美人魚》之創作論述

為了解決Alfonso Ideas的問題，作者林青穎 這樣論述：

《台北美人魚》是一部劇情短片，透過一個男生阿傑臥底在水族館調查毒品事件已久，看似一切調查都上軌道後，卻因長期相處下，對毒販雨瑄產生了不同的情愫，內心的掙扎與長官破案壓力的逼迫下，這份為了追求證據而在謊言的建構下產生的愛情，最後卻意外愛上毒品把關者女孩雨瑄的故事，比擬愛情如同毒品一樣，一但上癮了便會一發不可收拾。 本論文為五章節，將逐一分析與闡述筆者創作歷程，包含動機、理念、創作脈絡、構思劇本發想、創作內容、影片風格設定、前期籌劃、拍攝過程、後製各環節，並檢討創作過程中遇到的問題與解決方法。